Media that holds attention.
A video production studio that carries your project from inception all the way to the final color grade.
Good things come in Orange Boxes
See the work in motion.
Start to finish. Every step.
Over my career I have worn just about every hat on a production, from the set to the edit bay. That range is what lets me handle a whole project from start to finish on my own, and everything below is something I take care of myself.
Color Grading & Finishing
Final color and finishing that give a piece a polished, cinematic look and a steady mood from one shot to the next. Color is my specialty, and it is where the whole project comes together and gets ready for any screen it plays on.
Editing
Story-first editing that shapes raw footage into something clear and engaging. I tune the pacing, rhythm, and sound so the piece holds attention and carries the story cleanly from the first frame to the last.
Video Production & Directing
I direct the shoot and run camera, lighting, and everything on set, from the first setup to the final take. The goal is footage that is clean, well-lit, and easy to cut together once it reaches the edit bay.
Producing & Project Management
I manage the whole project across timelines, budgets, logistics, and crew. That keeps every shoot organized and on schedule, from the first kickoff call through final review and on-time delivery.
Script Writing
Concepts, treatments, and scripts that give a project clear direction and a confident voice well before a single frame is shot. Getting this right means the whole production starts from solid ground and a story that is actually worth telling.
Social & Short-Form
Vertical edits built for Reels, TikTok, and Shorts. I turn long-form footage into short, sharp clips with the hooks and captions that hold attention and earn the replay.
See the color on your own footage: send me up to 3 clips and I'll grade them, returning a finished still frame from each so you can judge the work before you commit.
Click a project to view it.
We make media that leaves a mark.
I started Orange Box Productions because I genuinely care about making video that does its job. A lot of work gets made just to check a box, and you can usually tell. I am after the opposite: pieces that hold someone's attention and stick with them after they are over.
For me that comes down to the footage mattering less than what you do with it. I pay close attention to the things people feel but rarely point to, like pacing, color, and a cut that lands a beat early. Get those right and a video stops feeling like filler and turns into something people actually want to watch. It takes a clear point of view and the craft to back it up, and that is the work I want to make for you.
Nathaniel Wright
One studio,
built from the work.
Orange Box Productions comes out of a career spent in just about every seat on a production. I got my start at Russell Video doing editing, cinematography, scripting, and producing, then worked as the full-time in-house cinematographer for Truck Hero, and later managed digital media and assets for the NBA. That range, from the camera to the edit bay to the league level, is what lets me carry a project on my own from inception to the final color grade.
When you hire Orange Box, you are working with me directly. I am the one directing, shooting, cutting, and grading your project, so nothing gets handed off down a line or lost in a queue. You get the polish you would expect from a full team with the focus of one person who has actually done every job on the call sheet.
Those same years also connected me with a deep network of talented people in nearly every role on a production, from camera operators and editors to colorists, audio engineers, and producers. So when a project needs more hands, I am not scrambling to find them. I bring in people I already know and trust, picked specifically for what the job needs. You still get one point of contact and one consistent vision, with the right people added on top.
Let's build something.
Whether it's a brand spot, an athlete feature, a music video, or a corporate piece, I'd love to hear what you're working on. Tell me about the project, what you're going for, and your timeline, and I'll come back with a clear plan and an honest quote.
No project is too small to start a conversation, and the good ones usually turn into long ones. Drop a few details in the form and I'll get back to you quickly.
Prefer email? nathaniel@orangeboxproductions.com